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Showing posts with label Media. Show all posts
Showing posts with label Media. Show all posts

Monday, 9 June 2025

How to cite and reference TV shows

Ah, the tricky work of correctly APA citing TV shows! It was only when writing a recent post that I realised that I hadn't written an entry on how to formulate the reference for these! And while we think this might be quite simple, in practice, it usually turns out to be slightly more difficult than it appears on the tin.

But the APA 7th edition publication manual will guide us (American Psychological Association, 2019). In the Reference Examples chapter, Audiovisual Media section, the notes suggest that we could use specific writers and/or directors for particular episodes of a series; or we could use the Executive Producer for an entire series (American Psychological Association, 2019). Or - I am guessing - whatever is the simplest to find and use.

So, if we keep our main objective front of mind: that we aim to give our reader a guide back to the source, then keeping our reference as simple as possible will assist us in making an optimal decision. But there is another consideration: what are the conventions for other media types? In the last post, explaining how to reference films (here), we might remember that the director becomes the 'author'. That is something to consider in finding our components for referencing TV shows.

So let's look at the components for citing the series, Get Smart. I turned to Wikipedia (2025) and the Get Smart Wiki (2025) and found the following information:

  • Directors: Gary Nelson, Bruce Bilson, Don Adams, James Komack, Earl Bellamy, Howard Morris, Paul Bogart... and the list goes on
  • Producers: Jay Sandrich (1965–66), Arnie Rosen (1966–67), Jess Oppenheimer (1967), Burt Nodella (1967–69), Chris Hayward (1969–70)
  • Executive Producers: Leonard B. Stern, Arne Sultan (1968–70)
  • Writers: Mel Brooks, Buck Henry, Gerald Gardner, Dee Caruso, Stan Burns, Mike Marmer... and this list too goes on and on
  • Dates: 1965-1970
  • Title: Get Smart
  • Production Company: Talent Associates; CBS Productions

My best guess for a simple reference for the entire series is:

Stern, L. B. (Executive Producer), Sultan, A. (Executive Producer, 1968–70). (1965-1970). Get Smart [TV Series, 1-5]. Talent Associates; CBS Productions.

Thus the citation would be:

(Stern & Sultan, 1965-1970)

I hope this helps!


Sam

References:

American Psychological Association (2019). Publication Manual of the American Psychological Association: The official guide to APA style (7th ed.). Author.

Get Smart Wiki. (2025). Get Smart. https://getsmart.fandom.com/wiki/Get_Smart

Wikipedia. (2025). Get Smart. https://en.wikipedia.org/wiki/Get_Smart

read more "How to cite and reference TV shows"

Monday, 2 June 2025

More on catchphrases

Our family were collectors of catch phrases from popular media which somehow managed to anchor in our collective psyche. As we have created our own families, those habits have endured. I have written about catchphrases before (here), but that post reminded me about our family habit, and I began to note some favourites as I encountered them. I have collected some of these phrases in this post. 

Such as this line from The Castle where the Kerrigan family are served rissoles at the dinner table: "Yeah, but it's what you do with it" (Sitch, 1997, 11:23). I always impute a 'darl' onto the end of that particular line, although the 'darl' occurs in the earlier exploration of the sponge cake "What d'you call that, darl?" (2:40). Not to mention the classic place to store precious presents from the family: "This is going straight to the pool room" (8:20), "Looks like everybody's kicked a goal" (18:06) about seasoning on chicken, and "We're going to Bonny Doon" (23:36). 

I also love the phrase "A fish goes rotten from it's head" (from the Turkish, "the fish stinks first at the head", Porter, 1768, p. 27). Why? Because it implies that as the leaders are, so shall the followers be. Good leadership will inspire good followership. A stink will create a stink throughout. 

"I love it when a plan comes together" (Hasburgh & Cannell, 1983). Ah, the A Team. Gone but not forgotten.

Which leads me to "Ah, it's the old [XXX] trick" from Get Smart (Stern & Sultan, 1965-1970); the "cone of silence" (which morphed into the 'cone of shame' for pet post-op self-harm prevention); and "Sorry about that, chief" the latter being our father's favourite stock phrase. 

Then there was the Fabergé organics shampoo: the ad which had Heather Locklear saying "I told two friends about it, and they told two friends, and so on, and so on, and so on" while the screen divided into two, four, eight, sixteen and so on Heathers (ewjxn, 2020, 0:07). 

Or how about "Thunderbirds are GO!" (Anderson, 1966). Nothing like telling people that, to galvanise us all: darned near sixty years on.

And then there is the often mis-quoted opening crawl from the first Star Wars movie, "A long time ago in a galaxy far, far away....", which I always remember as long, long "ago, in a galaxy far, far away...." (Lucas, 1977). 

Not to mention from Monty Python's The Meaning of Life, John Cleese's French Maitre'D character offering Terry Jones's Mr Creosote: "And finally, monsieur, a wafer-thin mint" (Monty Python, 2025), before Mr Creosote explodes, first verbally, then physically. 

And the Life of Brian (1979). So many to choose from here! John Cleese as a Roman Centurion "Wha's this then" and proceeds to give Brian a Latin grammar lesson (24:47). Mandy, mother of Brian, saying "He's not the messiah! He's a very naughty boy!" (1:05:34). "Only the true Messiah denies His divinity!" Brian retorts "What?! Well, what sort of chance does that give me? All right! I am the Messiah!" whereupon his followers say "He is! He is the Messiah!"(1:01:50). And finally, where Eric Idle sings "Some things in life are bad, they can really make you mad; and other things just make you swear and curse. When you are chewing on life's gristle; don't grumble, give a whistle! And this'll make things turn out for the best -" (1:29:43).

"...and always look on the bright side of life" (1:30:04).


Sam

References:

Anderson, S. (1966). Thunderbirds Are Go [puppet film]. Century 21 Productions.

ewjxn. (2020, March 4). 1984 Fabergé Organics shampoo "Heather Locklear told two friends" TV Commercial [video]. YouTube. https://youtu.be/Hyxmj1Yf6Dk

Hasburgh, P. (Producer), & Cannell, S. J. (Writer). (1983). The A-Team Series 1 [Lt.Col. John "Hannibal" Smith catchphrase]. NBC.

Jones, T. (1979). Life of Brian [film]. HandMade Films; Python (Monty) Pictures.

Lucas, G. (Writer, Director). (1977). Star Wars [Episode IV: A New Hope]. Lucasfilm.

Monty Python. (2025). The Meaning of Life Script - Part VI: The Autumn Years. http://www.montypython.50webs.com/scripts/Meaning_of_Life/10.htm

Porter, J. (1768). Observations on the Religion, Law, Government, and Manners, of the Turks (Vol 1.). J. Norse Bookseller.

Sitch, R. (Director). (1997). The Castle [film]. Working Dog Productions.

Stern, L. B. (Executive Producer), Sultan, A. (Executive Producer, 1968–70). (1965-1970). Get Smart [TV Series, 1-5]. Talent Associates; CBS Productions.

Wikipedia. (2025). Monty Python's Life of Brian. https://en.wikipedia.org/wiki/Monty_Python's_Life_of_Brian

read more "More on catchphrases"

Friday, 7 February 2025

How to cite and reference films

Ah, the tricky work of correctly APA citing films! It was only when writing a recent post that I realised that I hadn't written an entry on how to formulate the reference for movies. These are reasonably simple, but finding the information takes a bit of time. We usually need IMDB or Wikipedia in order to find all the required components.

Further, the APA 7th edition publication manual will help (American Psychological Association, 2019). We consult the Reference Examples chapter, and find - right at the beginning of the Audiovisual Works section, the entry for film or video (American Psychological Association, 2019).

With films, the director becomes the 'author'; but if we don't know the author, we need to find someone in a similar role; someone leading the enterprise. We could use writers, producers, interviewees, presenters or executive producers (American Psychological Association, 2019). However, we also need to keep the aim to give our reader a guide back to the source in the forefront. So keeping our reference as simple as possible will aid an optimal result. 

So let's look at the components for citing the Australian film, The Castle. I turned to Wikipedia (2025) and found the following information:

  • Director: Rob Sitch
  • Producer: Debra Choate
  • Writers: Santo Cilauro, Tom Gleisner, Jane Kennedy, Rob Sitch
  • Date: 1997
  • Title: The Castle
  • Production Company: Working Dog Productions

If we are going to cite the film in the theatre, my best guess for the most simple reference for the film is:

Sitch, R. (Director). (1997). The Castle [film]. Working Dog Productions.

But if I had watched the movie on DVD, then I would put "Film; DVD" in the square brackets instead. Penultimately, the citation for either version is:

(Sitch, 1997)

And lastly, a quote from the film would use an American-style time notation time notation in the brackets; i.e. 00:00:00. 

"Looks like everybody's kicked a goal" there, darl (Sitch, 1997, 18:06)!


Sam

References:

American Psychological Association (2019). Publication Manual of the American Psychological Association: The official guide to APA style (7th ed.). Author.

Wikipedia. (2025). The Castle (1997 Australian Film). https://en.wikipedia.org/wiki/The_Castle_(1997_Australian_film)

read more "How to cite and reference films"

Monday, 29 April 2024

Why Roman numerals for movie dates?

Have you ever wondered why the date often appears in Roman numerals during the end credits of films and TV programmes? I got to wondering about that recently, and on my exploratory way through this field, I discovered that we have both opening and closing credits (or end credits, or end-titles, or post-credits), and that these are also known as prefaces and postfaces, after Genette (1997, as cited by Davidson, 2014).

So I went looking for the "why", and found that David Lewis had asked just this question of other Guardian readers way back in 2011. Readers responded by suggesting that if was in the vain hope that none of us will remember our time learning Roman numerals in school, so will not realise how dated a movie or TV series is (Lewis, 2011; also Rome, 2018); that viewers would have "to be very good at classics [in order] to translate the date" (Lewis, 2011; also Rome, 2018); or that filmmakers think using a 2000 year old dating system was somehow "classier" (Lewis, 2011).

The first two ideas don't really make sense to me. In my opinion, using a Roman numerals date to avoid showing the age is a spurious reason, as we only see the flaming Roman numerals AFTER we have watched something; and few of us learn Latin today so as a learning exercise, the point is...? But the idea that using Roman numerals is somehow classier does sound possible (Lewis, 2011), particularly when we are talking about film people.

However, I found three more theories:

  • That of film fading: "Movies and TV were shot with film and film [which] can deteriorate, making it hard to read numbers. A '6' can fade to look like a '5' or an '8' to a '3' while Roman numerals are still easier to read as they age on film" (Rome, 2018). Yep, fair enough, that too sounds possible. 
  • In the US, Roman numerals are still used to designate different actors, same named movies, and sequels (Naun & Elhard, 2005; Seçmen, 2023). Early films were made in both the US and France. France remains a strongly Catholic nation, so perhaps that may be why Roman numerals were initially used, becoming the industry standard globally...?
  • Roman numerals were used for publishing volume numbers when printing, also being used for journal volumes. So instead of the journal Science being volume 88, it was numbered LXXXVlll, because that was what printers customarily did (Yerkes, 1904).

While I think the film fading thing (Rome, 2018) could be a possibility, apparently title credits have used on films since the 1910s (May, 2010). I assume - so dangerous! - that Roman numerals for dating in the end credits will have been used since roughly the same time (I have no proof of when film end credits or end credit dating began, so take this with plenty of salt!). Judging by the use in the US where most films are made, produced and marketed, the continued use (Naun & Elhard, 2005) thing seems embedded... but does not explain why it was used in the first place. 

What seems more likely to me is that it may have been thought that there was some level of gravitas conveyed in publishing and journals by the use of Roman numerals, so it was adopted by the fledgling film industry. This also relates tangentially to the idea of Roman numerals being 'classier'. So perhaps it then simply became customary?

But I still don't really know WHY. If any of you can enlighten me, I would love to satisfy my curiosity!


Sam

References:

Davison, A. (2014). The end is nigh: Music postfaces and end-credit sequences in contemporary television serials. Music, Sound, and the Moving Image, 8(2), 195-215. https://doi.org/10.3828/msmi.2014.12

Lewis, D. A. (2011). Notes and Queries: Why are copyright dates on films and tv programmes always given in Roman numerals?. The Guardian. https://www.theguardian.com/notesandqueries/query/0,,-199590,00.html

May, J. (2010, October 4). The Art Of Film Title Design Throughout Cinema History. Smashing Magazine. https://www.smashingmagazine.com/2010/10/the-art-of-the-film-title-throughout-cinema-history/

Naun, C. C., & Elhard, K. C. (2005). Cataloguing, lies, and videotape: Comparing the IMDb and the library catalogue. Cataloging & Classification Quarterly, 41(1), 23-43. https://doi.org/10.1300/J104v41n01_03

Rome, L. (2018, October 19). Nugget of Knowledge: Roman numerals in movie credits. WYTV. https://www.wytv.com/news/daybreak/nugget-of-knowledge-roman-numerals-in-movie-credits/#:~:text=One%20more%20%E2%80%94%20the%20%E2%80%9Cfade%20away,as%20they%20age%20on%20film.

Seçmen, E. A. (Ed.). (2023). Examinations and Analysis of Sequels and Serials in the Film Industry. IGI Global.

Yerkes, R. M. (1904). Discussion and Correspondence: The Use of Roman Numerals. Science, 10(505), 309-310. https://doi.org/10.1126/science.20.505.309.b

read more "Why Roman numerals for movie dates?"

Monday, 28 February 2022

Rupert Murdoch and climate change

Last year I watched a documentary on media mogul Rupert Murdoch, called "The Rise of the Murdoch Dynasty" (Roberts, 2020). I had always thought that Mr Murdoch was a pretty cut-throat business person, but the documentary made for disturbing viewing.

What made the documentary more disturbing for me was my reflection afterward on what I had seen, and what it might mean. You see, until 2020, Mr Murdoch owned almost all media channels in New Zealand, with the exception of the government national broadcaster TNVZ, and the minor independent journalism website, The Spinoff. The two main Murdoch mastheads were The Herald, and the Dominion. The Herald is still owned by NZME, who is owned by APN News & Media (ANM), which is owned by Here, There & Everywhere (HTE), which is owned by News Corp… aka Rupert Murdoch. The Dominion was a masthead of Fairfax Media, part of the 9 Network… and owned by Rupert Murdoch.

However, in 2020, a Kiwi consortium purchased "Stuff"; the New Zealand media properties formerly owned by Fairfax Media (cf 9 Network; cf Rupert Murdoch). Since the change of ownership, Stuff has explored their own part in taking a racist, Pākehā-centric, colonialist, right-wing view of Aotearoa. The media company is trying to atone, and to take a more balanced approach to reporting facts... as opposed to the spin provided under the previous ownership. The Dominion is back, and politically active. And appears balanced, looking at BOTH sides of issues. Long may that last.

However, the NZ Herald remains under Murdoch control.

Mr Murdoch appears to tentacle his way in everywhere, bringing significant influence to bear on his own pet projects. For example, he believes in meritocracy. He doesn’t believe in colonialism. He doesn’t believe in climate change. That latter element in the Roberts documentary (2020) particularly worried me, as Mr Murdoch's brief airing of his views on climate change, drawn from a 2014 interview to celebrate the anniversary of the Australian, appeared to lack a scientific base, was confused, and apparently dismissive of the current evidence for this phenomenon.

Mr Murdoch's interviewer begins by proposing a false dichotomy with business as the antithesis to climate, asking "is the balance between environmental concerns - climate change concerns on the one hand, and the need on the other hand to maintain a competitive economy and to ensure that the costs don't escalate too much - what's the way one should approach this? What's the way Australia should approach this?" (Roberts, 2020, 42:24):

Mr Murdoch replies, "I think we should approach climate change with great skepticism. Ah: climate change has been going on as long as the planet has [been] here. And there will always be a little bit of it. [...] But how much are we doing with emissions and so on? Well, as far as Australia goes, nothing in the overall picture. China, perhaps. If you are talking about environment, and health, and smoke [...] in terms of the world's temperature going up, the worst... the most alarmist things... said maybe three percent. Ah, three cents. Ah, sorry, three degrees centigrade in a hundred years. At the very most, one of those will come from man-made [activities (a guess - very hard to hear)]" (44:06).

"Now, what it means is, that if the sea level rises six inches - it's a big deal, the Maldives might disappear or something - we've got to learn that we can't mitigate that. We can't stop it. We've just got to stop building vast houses on the sea shores, umm, and go back a little bit. You know, the world has been changing for thousands and thousands of years. It's just a lot more complicated today, because we are so much more advanced." (44:43)

Contrary to Mr Murdoch's figures, recent articles suggest a potential 20 metre sea level rise (Molyneux, 2020), not six inches (150mm); with a likely 800mm rise by 2050 (The Royal Society, 2020).

I now wonder just how much influence - perhaps better termed "how much of a handbrake hold" - Rupert Murdoch has had on climate change views and discussion in the Aotearoa media. I now suspect that his views and control of editorial content may have cost us 30 years of climate change mitigation action.

It will be interesting to see how quickly our views shift here now that we have less bias - less pollution, less interference - in our media.


Sam

References:

  • Molyneux, R. (23 January 2020). CLIMATE CHANGE: Alarming map shows the devastation rising sea levels could cause in New Zealand. NewsHub. https://www.newshub.co.nz/home/new-zealand/2020/01/alarming-new-map-shows-the-devastation-rising-sea-levels-could-cause-in-new-zealand.html
  • Roberts, J. (2020). The Rise of the Murdoch Dynasty. https://www.tvnz.co.nz/shows/the-rise-of-the-murdoch-dynasty/episodes/s1-e3
  • The Royal Society (March 2020). 14. How fast is sea level rising?. https://royalsociety.org/topics-policy/projects/climate-change-evidence-causes/question-14/

read more "Rupert Murdoch and climate change"

Friday, 16 February 2018

Benefits of Self-Drive Vehicles

Recently I watched a video by Continental (GaadiAdvisor, 7 October 2017), with their view on what the future will look like with autonomous vehicles. I liked their view. We do have issues to sort out: hacking; hijacking; working self-drives around accidents and natural disasters; operation outside urban environments; IT security; payments; driver's licensing, citizen ID etc, but I think the future is exciting, and those issues simply require more thought, idea sharing and the establishment of good systems.

However, I keep reading articles on self-drive vehicles in the main-stream media, and they keep (a) focusing on whether people will trust self-drives enough to get into them, and (b) missing the same key factors that are going to persuade us to trust the AI.
  • Insurance. Already insurance is less on Tesla vehicles when engaged in self-drive mode, and insurance on NZ's existing vehicle fleet will increase as we are in a global market for risk, with an increasing road toll. Business insurance is expensive. You can see the accountants doing the maths already.
  • Road Toll. International statisticians are suggesting a 90% reduction in accidents once fleets turn over (7 years in the US, 14 here; Crew, 1 October 2015; from McKinsey, Bertoncello & Wee, 2015). The cost of ACC in New Zealand will go down for those who have self-drive, because the risk is less, and up, correspondingly, for those who don't. Those accountants will like this too.
  • Adoption Age. According to a Stuff article, 12% of AA members would take a self-drive. I would be interested to hear what the average age of the respondents was (Noon, 15 February 2018). I suspect that younger drivers, who have less of a car culture, will be more likely to take a self-drive car, and older drivers less likely (Shankleman, 13 February 2018). For the past ten to fifteen years there has been a growing trend in London not to get your driver's licence. You don't need it with the public transport available. This trend may well force the licenced driver requirement to be dropped fairly quickly.
  • Cities. Self-drive vehicles work in cities, as taxi or bus services, in areas of good connectivity and high population. The convenience of the hail and ride on short trips or work commutes will overcome reservation. Sweden already has self-drive busses on the road (); Singapore is still trialling taxis with nuTonomy (now owned by Delphi; and a range of other initiatives at Huiling & Goh, 2017). Eventually children will be able to get to music lessons or sports on their own: but not until the technology has earned trust through performance.
  • Time Saving. It is estimated that a city dweller might spend 90 plus hours looking for a park each year, and 18 hours queuing (Shankleman, 13 February 2018).
  • Cleaner/Cheaper. Most self-drive vehicles are electric. Cleaner fuels, lighter weights, fewer moving parts, lower accident risk and lower environmental impact are likely to lower fleet running costs in direct and and indirect costs (taxes) (Huiling & Goh, 2017). It is estimated that a Chevrolet Bolt needs its first full service at 150,000 miles, not at 10,000 (Shankleman, 13 February 2018). Accountants again are going to see much better financials.
  • Ownership. In cities you won't need to own, park, or service a car. You will simply hire the vehicle for your use. Ride services like Grab in Singapore will make public transport easier, providing the service itself is reliable. Why own a car - which depreciates from the second you buy it - when a service with less hassle and cost is available? Another one for the accountants: that and no parking.
  • Congestion. It is estimated that self-drives will decrease congestion. We will have to wait and see on that one. However, if your business is in moving goods, at least you won't be paying wages for traffic jams: just lost asset time.
  • Infrastructure. We won't need huge new roads. Car parks may be able to be turned back into green spaces. With a park and ride, we pay no parking fees. No traffic fines. No traffic police. No speeding. No racers unless they are on a race track.
  • Shift in global power. The shift to electric vehicles means we are likely to be less locked into trading oil in USD/barrel. This will make a huge change to international politics (ZeroHedge, 14 January 2018).
This will all take some time to sort out. There will be teething problems. But this is the road we are on.


Sam

References:
read more "Benefits of Self-Drive Vehicles"

Friday, 22 March 2013

Newsletter Issue 232, March 2013



Sam Young Newsletter

Issue 232, March 2013
Hi guys,
What new trends have you spotted? See if you have anything you need to tell me about! Check out So What's Hot? below.
Seen any ad placements recently that made you laugh out loud because of the incongruity of their surroundings? Read When Advertising goes Bad
Don't forget, if you want to be taken off my mailing list, click here to send me a reply e-mail and I will remove your name.

So What's Hot?

There are a load of trends that will increasingly impact us - and largely in a positive way - as 2013 unrolls.
  • Social media is driving a lot of change. It is now central to home and work, and the collective communities are reshaping companies from without. Social media is helping business build broader, agile networks so they can create and deliver value to customers. B2C is creating what feels like a one-to-one relationships, but is using one-to-many technology to enable it. About two thirds of the wired globe is on Facebook. LinkedIn is growing (and is increasingly being used for head-hunting). Expect to see many more people automatically touching base via social media as time goes on (The Economist, Nov 2012; Caligiuri, 14 Dec 2012).
  • Companies are growing a social and economic conscience, trying to build legitimacy in the eyes of their demanding consumers, employees and stakeholders. Increasingly, their stakeholders can din companies on Facebook and various review sites if companies muck it up or greenwash. Where companies truly have mutual benefits with society, it works. Beware the company who puts on ethics like a cloak: it will not be the cloak of invisibility! (The Economist, Nov 2012)
  • Cheques are on their way out. Internet banking is in. Malaysia is phasing out cheques by April 2014, as more people chose internet banking (Yong, 20 March 2013). Like money orders, cheques are an anachronism. The change is being driven by the ease, information-richness, immediacy and low cost of automatic & online payments. Accounting software now automatically codes bank transactions: a cheque has no information with it, so it means additional manual adjustments. Cheque costs are likely to increase to more accurately reflect their processing cost too - bankers drafts now cost about $30 each…There will be even fewer once banks start charging realistic processing costs... from 2008 to 2011 we went from writing 204 million to 60 million cheques; and cheques have gone from making up half of all banking transactions in 1993 to 2% in May last year.
  • If you are still watching broadcast TV, you are so old hat. According to eMarketer’s 2012 digital media usage report, those of us viewing TV and video on computers, tablets or mobile devices will increase to over half the population. This looks set to increase. Additionally, more businesses now use video to communicate info about their company, their products and their services (eMarketer, 2012). 
  • There is some awesome technology convergence allowing those of us with smart phones to tap into a new marketing trend which will be a biggie: “SoLoMo” - Social, Local, Mobile. More B2C companies are working in that sector such as Foursquare, which converges users' GPS and the users' 'likes' and advises the companies located close by and what special deals are currently available. And 96% of smart phone users are also on the web (Caligiuri, 14 Dec 2012).
  • Online conferences, video conferencing and online meetings will increase. This will mean we can save travel costs. It will not be a replacement for getting face to face, but will create more choice for participants. Expect the BNZ Business Centre facilities to get very booked out!
  • MOOCs will get bigger. Courses will continue to go online, and we will end up with some great deals as students, but bad deals as academics and teachers. The model will shift more towards learners actually learning from individuals in order for teachers to earn money from teaching... though I am not sure this is a bad thing either.
  • Open Access academic writing and eBooks will continue to gain ground. Open Access is about not tying up academic publications with profit-making publishers, but by-passing them to publish articles as a public good. EBooks in various formats will continue to gain ground over print. Expect some of the slower adopters to move to Kindles, iPads, Tablets and audiobooks.
  • The customisation of content to fit the context will increase. Companies will create tailored communications that talk to specific customer problems in the customer's industry, targetted at the customer's company and how their product or service will benefit the customer. The seller will have to ensure they tell the customer what the WIIFM is, else their message will be ignored. Company marketing will have to shouts their “calls to action” in all their comms. Companies will need to be even more savvy about bridging their content to action, and how they get information from potential audiences and target them more effectively in future campaigns. Look for more calls to action via some more unusual content in 2013, especially from free information exchange such as blog posts, white papers, articles and case studies (Caligiuri, 14 Dec 2012). 
  • We will see more news-jacking, where people get their own expertise in to breaking news by creating a connection between the story and themselves. Caligiuri reports that a "lawyer client of mine specializing in privacy has been having some newsjacking success. When stories about Google keeping consumer information came out this year, for instance, he reached out to the media to offer his opinion, and has now become recognized as a privacy expert to whom media turned multiple times in 2012 on privacy-related matters. This has done much to raise his profile" (14 Dec 2012). 
Sources:

When Advertising goes Bad

In our businesses, we spend loads of time putting together advertising that works beautifully, fits our brand personality, uses the fonts and colour parameters our designers have specified. Advertising is not cheap, and any advertising spend must give us good value for money. 
We send our items off for publication, only to find that in placing the ads, the channel distributor has undone all our good work. If you don't know what I am talking about, check out the placement of the stadium Yahoo ad alongside the seat block number at http://adfailure.com/ad-fails/popular/32247-error-seating-area-not-found, and check out the ads in this Imgur photo album called "23 Most Unfortunate Advertising Placements" at http://imgur.com/a/7shrP . The Imgur album even includes a Kiwi ad - check out the message redirect the school bus sign unexpectedly creates for the Quit programme.
Bad examples will end up re-circulated on the internet for years. How do we guard against channel distributors being thoughtless with our hard work? 
A few ideas:
  1. Have a brand manual specifying all aspects of your branding. Give a copy of your brand manual to each of your distribution channels
  2. Have a contract with your distribution channels assuring you of appropriate surrounding item placements (including, but not limited to text, articles, images, advertising materials, installations and video)
  3. Ensure you not only approve the proof, but see mockups of the final placement to be sure that the environment itself will not compromise your message
  4. If you are developing vehicle livery, specify the vehicle types the artwork is to be applied to, and think through the different parameters each vehicle type will present. Use computer mockups to view what vehicles will look like with doors open, around wheel arches, around other signage and around tinted windows. Ensure you use channels who will report back for guidance when something is outside the design specifications.
While these items are going to cost you more, they will prevent your brand going viral on the web, year after year, circulating in emails.

Look Ma, No Mouse!

PC Magazine have a great tip for those of us using MS Office 2010. 
You can avoid having to mouse-click your way through Office's Ribbon with a single tap of the Alt key.  Tap it, and little boxed letters will appear on all the ribbon tabs, with numbers appearing in the Quick Access area. Then all you have to do is key the letters for the item you want.
For example, if you are in Outlook, in an email folder view, with an email selected. If you key Alt, then H, this will take you to the Home tab, where you can see a selection of command letters. Then key "RP" and a reply to selected email will pop up, ready for you to type into. Drop down and expansion lists also have lettered items you can select. Once in menus or lists, you can use also arrow keys to select items.
To get back to normal view, just click Alt again. So easy.

TLAs for SMEs

Here are this newsletter's TLAs (Three Letter Acronyms) for you:
  • WWW, world wide web. Usually pronounced "dub, dub, dub" - but only in NZ. If pronounced in full, in English, at nine syllables, this is the longest TLA to pronounce - longer than the words it replaces (three syllables). In written English it is an abbreviation. Author Douglas Adams - of Hitchhiker's Guide to the Galaxy fame - remarked "The World Wide Web is the only thing I know of whose shortened form takes three times longer to say than what it's short for". (Academic Room (2013). Internet, World Wide Web. Retrieved 20 March 2013 from http://www.academicroom.com/topics/what-is-internet

Please feel free to email me with any TLAs that you want to get the bottom (meaning!) of.

Tips, Short+Hot Keys
In this newsletter, we are going to look at all shortcuts for Replace:
  • Access, Outlook "Find the next occurrence of the text specified in the Find and Replace dialog box when the dialog box is closed" Shift & F4 
  • Access, Frontpage, Publisher, Word "Open the Replace dialog box" Ctrl & H 
  • PowerPoint "Hide the pointer and button immediately or replace text, specific formatting, and special items" Ctrl & H 
  • Word "Display the Go To tab of the Find and Replace dialog box" Ctrl & G 
  • Word "Display the Go To tab on the Find and Replace dialog box or update the files visible in the Open or Save As dialog box" F5 

Hot Linx
Get your latest Hudson guide to a range of sector salaries, employment conditions and work practices from a survey of 4,921 employers and 5,853 employees in Australia and New Zealand at http://nz.hudson.com/KnowledgeCentre/2013SalaryEmploymentInsights
The lovely MS Office gurus from Woody’s Watch have compiled a comprehensive, searchable list of all the Word 2010 commands at http://office-watch.com/commandlist/Word_2010.aspx
Be able to explain to clients why they need a clean online presence. Check out the recruiter's online toolbag at http://employerblog.internmatch.com/25-ways-to-recruit-through-social-media/?goback=.gde_2115428_member_216458989
So, what is the hype about 3D printing? Is it really going to be such a disruptive technology, and, as some pundits are saying, ‘bigger than the internet’? Read on at http://video.ft.com/v/1700835179001/3D-printing-bigger-than-internet-?utm_source=taboola

                                Catch you again soon!! E-mail your suggestions to me here
read more "Newsletter Issue 232, March 2013"

Friday, 13 July 2012

Newsletter Issue 220, July 2012



Sam Young Newsletter

Issue 220, July 2012
Hi guys,
Ever been interviewed by the media? If you did, did you do enough preparation? If not, check out Interview Techniques below.
I muse on what is in a word in Life Balance
Don't forget, if you want to be taken off my mailing list, click here to send me a reply e-mail and I will remove your name.

Interview Techniques

Have you ever been interviewed by the media? If you have, do you think you did well ...or not?
We usually don't get taught the techniques for what makes for a good interview, and we often go into them very, very unprepared.
Like most things, we need a plan, some goals, and a good dose of emotional intelligence to stick to our plan and achieve our goals.
We need to think about what messages we want to convey. That means we need to do some homework. We need to first ask ourselves some questions: what is our one key message that we want to get across at all costs? What are the sound-bites that we would most like to have picked up on? Can we keep our temper if we are provoked? If not, what can we do to ensure that we can keep calm? What do we think the media will be wanting to know? Can we tell a good story? Have we time to practice?
When preparing what it is that we want to say, we can divide up a draft 'script' for ourselves into an introduction, a body and a conclusion or summary. Our introduction needs to lay out very briefly who we are and our key message. Our body should highlight all the main points, in a logical sequence, with enough evidential support, and be very clear. You should then be able to summarise very briefly what it is that you have said. A lecturer of mine always said "tell them what you are going to tell them; then tell them; then tell them what you have told them". The middle "then tell them" is the body :-)
Some points to remember:
  • Keep to your point: if you have a certain point of view that you want to get across, lead all your answers back to that point. Good speakers can tell a story - and keep to the point - really well. The adage “It’s not what you say, but how you say it” is very true.
  • You need to know who your audience or interviewer is, know what they will be looking for and deliver that.
  • You need to know your own strengths & weaknesses, and have practiced enough to be able to avoid interrupters (ah, um, OK, you know, like).
  • If you look confident, “Perception is reality” (Atwater, as cited by Forbes, 2008). Don't fidget. Avoid awkward silences; if you are very well practiced, there will always be an answer waiting. After all, “You never get a second chance to make a first impression” (Triesthof, n.d.)
  • Use familiar terms and simple language, speak clearly, and remember that aphorism “We speak English, but we don’t [necessarily] speak the same language”.
  • Slow down, and use your voice. Vary your pace & inflection; project, but definitely don't raise your voice too much.
  • With your body language, use gestures, but not wild ones. Ensure you match your facial expressions to your gestures - in other words, be sincere. Move, but don’t intrude on either your audience’s or your interviewer's comfort zone. Look AT your interviewer and at a camera (if you are being filmed) to build rapport.
  • When handling questions:
    • If you can't answer the question for any reason, say why you can't, and why. If you are evasive, journalists will dig; if you are too vague, they will edit you out
    • Try to answer questions directly. Slice up complicated questions: reply that that is really two separate questions, ask yourself two versions of questions that you want to answer and then answer them.
    • Or direct a question back "That's a very good question. But can I just ask you..."
    • For a question you don’t want to answer “That’s a really interesting question. What I can tell you about [something I really want to tell you about] is…”
    • In dealing with aggression; the more aggressive the questions, the calmer and more pleasant you must become. Unless the journalist is both deadly accurate and has caught you unprepared, the audience will be on "your side" if you behave well
    • Dealing out aggression (NB - use this VERY carefully. This is a very tricky double-edged sword. Watch politicians like Winston Peters who are masters at this):
      • Attack one word in the sentence "Frequently? What do you mean, frequently?!"
      • In reply to "A number of people feel.." pounce with "Name six of them" (be VERY careful with this. Some journos will have this info to hand, and then you are scuppered)
      • Attack the interviewer's knowledge with "You obviously haven't read the report". But again, be very careful. You will need to know your material very well indeed and need to be quite sure that the journalist hasn't read it; take the tack of educating rather than being condescending.
References:
  • Forbes, S. (Director). (2008). Boogie Man: The Lee Atwater Story [Television series episode]. In Forbes, S. & Walker, N. (Producer), Frontline. Boston, MA: Inter Positive Media. Read more: http://wiki.answers.com/Q/Who_first_said_perception_is_reality#ixzz21L9aVB92
  • Mohan, T., McGregor, H., Saunders, S., & Archee, R. (2008). Communicating as Professionals (2nd ed). South Melbourne Australia: Cengage Learning Australia.
  • Stoldt, GC, Dittmore, SW & Branvold, SE (2006). Sport Public Relations: Managing Organisational Communication. USA, IL: Human Kinetics.
  • Triesthof, Wim (n.d.). A Few Interesting Quotations. Retrieved 22 July 2012 from http://www.cs.sjsu.edu/faculty/khuri/quotations.html
 

Life Balance

What's in a word?
Lots. Words define our context, our sub-text, where we have come from, and what limits, directs and channels our thinking.
I was musing on "work-life balance". On the surface, this phrase is totally accepted as meaning that we live a rounded life with work and private life healthily compartmentalised.
However, let's look at the words. Work. Life.
I had never noticed that I was dead at work, and only started living when I left the office. In fact, my work really brings me alive, so having life contrasted with its antithesis, work, really doesn't work for me at all. I love my work, and it inspires and drives me. Needless to say, I have 'issues' with the term "work-life balance".
But if we replaced the "life" bit, what would we replace it with? We could go for "work-recreation balance"; but then that is quite a clunky phrase. It doesn't trip off the tongue, nor is it so memorable, so conveying of opposites.
There is really nothing like Anglo Saxon monosyllables for being punchy and direct, so perhaps "work-home balance"? The trouble is, that sounds far too confining for today's weekend mega-shoppers.
Hmm... "work-play balance"? It might be a goer, but lots of people would find that either too frivolous or too energetic.
What about, as Sandy Miller, author of Managing Human Resources in NZ, suggested to me, how about "whole of life balance"? Or perhaps we just take Sandy's idea one little step further to "life balance". Now that makes sense to me.
Life balance. Where we seek to create a life that holds all the components we need to nourish ourselves, to fulfil our core goals, to have room to think, to work, to play, to create, to strive and to feel. Where we can gather those around us who love and support us, and have room for us to love and support them in turn. Where we can be whole people.
Life balance. It applies equally if you are retired, working, studying or raising a family. It comes without implied delineations between full and part time work, or professions and trades, in employment or self-employment.
Life balance. It also implies that we can be out of balance; that sometimes we have to take things out in order to come back to good alignment. It implies an opportunity cost for things we add to our lives. It implies we have to take a balanced approach for a balanced life.
Life balance. Now that is a fine idea with an appropriate name.
So I would like to call for change - let's remake that old chestnut anew as "life balance".
I suggested this on the Career Development Association of NZ's LinkedIn group and got some interesting responses from CDANZ members: view the discussion here.
 
What do you think?


Oracle's Virtual Machine to run XP Software

If you are having trouble getting your old XP software to run on your Windows 7 PC, and are tearing your hair out. take some advice from long-time Windows guru, Fred Langa, in response to a Window's Secrets reader who had "many old shareware/freeware programs that run on 32-bit systems only". Fred's solution was to:
Try Oracle's free VirtualBox (https://www.virtualbox.org/). I use it on my Win7 Home Premium 64 setup when I need to run virtualized copies of XP, Vista, or Win7 for experimentation. It runs them all fine — no muss, no fuss, no hassles.
It's the most compatible virtual PC solution I know of — and it's free!
I highly recommend it.
Definitely worth a try :-)

TLAs for SMEs

Here are this newsletter's TLAs (Three Letter Acronyms) for you:
  • ICT, Information & Communications Technology. All those bits of wired connectivity that we now take for granted: your smart phone, your PC, the web, your laptop, your iPad and iPod.

Please feel free to email me with any TLAs that you want to get the bottom (meaning!) of.

Tips, Short+Hot Keys
In this newsletter, we look at a few Word tricks:
  • Word "Apply Heading 1 from Style dialog box; use to format paragraphs while working within text" Alt & Ctrl & 1
  • Word "Apply Heading 2 from Style dialog box; use to format paragraphs while working within text" Alt & Ctrl & 2
  • Word "Apply Heading 3 from Style dialog box; use to format paragraphs while working within text" Alt & Ctrl & 3
  • Word "Auto Text" Alt & Ctrl & V
  • Word "Display Mark Table of Contents Entry dialog box while working in a document with a Table of Contents" Alt & Shift & O
  • Word "Display Microsoft System information" Ctrl & Alt & F1
  • Word "Normal Style" Alt & Shift & 5 NUM (Num Lock off)

Hot Linx
Check out what Chinese architectural firm MAD architects have created for the Ordos Museum in the sandy deserts of Inner Mongolia, at http://www.i-mad.com/ennews.aspx#works_details?wtid=4&id=33
Don't forget to fill in Carol Kinsey Goman's questionnaire for her survey on the lies we tell at http://www.surveymonkey.com/checkrequest.aspx?aspxerrorpath=/s/HM5VYVF
Regus thinks the command and control way of leadership is gone; and, to improve our profitability, productivity and work satisfaction, we should instead adapt our workplaces using kinetic principles. Take the questionnaire on how kinetic your workplace is at http://www.reguskinetic.com/
When working in a large document and want to find your place again the next time you open it, use TechRepublic's bookmark macro. Read all about it at http://www.techrepublic.com/blog/msoffice/use-word-macros-to-save-your-place-in-a-document/8060?tag=nl.e056

                                Catch you again soon!! E-mail your suggestions to me here
read more "Newsletter Issue 220, July 2012"